{"id":9616,"date":"2026-05-11T07:59:21","date_gmt":"2026-05-11T12:59:21","guid":{"rendered":"https:\/\/editorial.udenar.edu.co\/?p=9616"},"modified":"2026-05-11T08:13:59","modified_gmt":"2026-05-11T13:13:59","slug":"ritmos-latinoamericanos-cancionero-funcional-vol-2","status":"publish","type":"post","link":"https:\/\/editorial.udenar.edu.co\/?p=9616","title":{"rendered":"Ritmos Latinoamericanos cancionero funcional vol.2"},"content":{"rendered":"<p>Autor; Rolando<a href=\"https:\/\/editorial.udenar.edu.co\/wp-content\/uploads\/2026\/05\/Ritmos-II.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-9618 alignleft\" src=\"https:\/\/editorial.udenar.edu.co\/wp-content\/uploads\/2026\/05\/Ritmos-II.png\" alt=\"\" width=\"290\" height=\"374\" \/><\/a> Chamorro Jim\u00e9nez<\/p>\n<p>Ritmos Latinoamericanos Cancionero Funcional Vol, II<\/p>\n<p>Con el objetivo de seguir enriqueciendo el lenguaje arm\u00f3nico aplicado al extenso repertorio latinoamericano, se presenta el volumen II de la serie did\u00e1ctica \u201cRitmos Latinoamericanos &#8211; Cancionero funcional\u201d. En esta publicaci\u00f3n se aplican las sustituciones de acordes agregados y diferentes progresiones arm\u00f3nicas, en un repertorio que abarca ritmos como balada,<br \/>\ncanci\u00f3n criolla, bachata, pasaje llanero y zamba argentina. Al igual que en el volumen anterior, encontramos treinta canciones, entre las que se incluyen \u201cLa bikina\u201d, \u201cC\u00f3ncavo y convexo\u201d, \u201cMujeres divinas\u201d, \u201cCuando llora mi guitarra\u201d, \u201cPiel canela\u201d, \u201cTe busco\u201d, entre otras. Se emplear\u00e1 la misma metodolog\u00eda para lograr el enriquecimiento sonoro y la facilidad de interpretar este repertorio, tal como se pudo apreciaren el material anterior. Ahora queda en manos del int\u00e9rprete y del oyente seleccionar su versi\u00f3n<br \/>\nmusical de una obra y navegar as\u00ed en un mar profundo de emociones iguales o similares a las que sinti\u00f3 su compositor.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Tama\u00f1o:\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Formato:\u00a0 Digital e Impreso\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Paginas: 71<\/p>\n<p>A\u00f1o:\u00a0 2025\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ISMN:\u00a0 :\u00a0 979-0-9005345-0-7\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Valor: $ 30.000<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Autor; Rolando Chamorro Jim\u00e9nez Ritmos Latinoamericanos Cancionero Funcional Vol, II Con el objetivo de seguir enriqueciendo el lenguaje arm\u00f3nico aplicado al extenso repertorio latinoamericano, se presenta el volumen II de la serie did\u00e1ctica \u201cRitmos Latinoamericanos &#8211; Cancionero funcional\u201d. En esta publicaci\u00f3n se aplican las sustituciones de acordes agregados y diferentes progresiones arm\u00f3nicas, en un repertorio [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":9618,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"link","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[82],"tags":[],"class_list":["post-9616","post","type-post","status-publish","format-link","has-post-thumbnail","hentry","category-libros-dela-ano-2025","post_format-post-format-link"],"_links":{"self":[{"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=\/wp\/v2\/posts\/9616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9616"}],"version-history":[{"count":10,"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=\/wp\/v2\/posts\/9616\/revisions"}],"predecessor-version":[{"id":9642,"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=\/wp\/v2\/posts\/9616\/revisions\/9642"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=\/wp\/v2\/media\/9618"}],"wp:attachment":[{"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}