{"id":9645,"date":"2026-05-11T08:35:58","date_gmt":"2026-05-11T13:35:58","guid":{"rendered":"https:\/\/editorial.udenar.edu.co\/?p=9645"},"modified":"2026-05-11T08:38:26","modified_gmt":"2026-05-11T13:38:26","slug":"misa-ii-pre-orquesta-de-cuerdas-sinfonicas-y-soprano","status":"publish","type":"post","link":"https:\/\/editorial.udenar.edu.co\/?p=9645","title":{"rendered":"Misa II pre-orquesta de cuerdas sinf\u00f3nicas y soprano"},"content":{"rendered":"<p style=\"text-align: left;\">\u00a0Autor; Rolando Chamorro Jim<a href=\"https:\/\/editorial.udenar.edu.co\/wp-content\/uploads\/2026\/05\/Misa-2.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-9647 alignleft\" src=\"https:\/\/editorial.udenar.edu.co\/wp-content\/uploads\/2026\/05\/Misa-2.png\" alt=\"\" width=\"282\" height=\"365\" \/><\/a>\u00e9nez<\/p>\n<p>El presente material did\u00e1ctico contiene nueve cantos ceremoniales utilizados en la misa cat\u00f3lica, dise\u00f1ados para la etapa inicial en la formaci\u00f3n instrumental de cuerdas sinf\u00f3nicas y canto. Para ello, se han empleado tonalidades como La menor, Sol mayor y Re mayor, que favorecen esta fase del aprendizaje.<\/p>\n<p>Por otra parte, se sugiere trabajar el canto al un\u00edsono y se incluye la cifra del acompa\u00f1amiento arm\u00f3nico, que ser\u00e1 ejecutado por el docente, quien, con su interpretaci\u00f3n, reforzara la sonoridad de las piezas musicales.<\/p>\n<p>Este material es el resultado de una experiencia pedag\u00f3gica que se gest\u00f3, se presento y se socializ\u00f3 en la Red de Escuelas de Formaci\u00f3n Musical del Municipio de San Juan de Pasto &#8211; Nari\u00f1o &#8211; Colombia.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Tama\u00f1o:\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Formato:\u00a0 Digital\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Paginas: 106<\/p>\n<p>A\u00f1o:\u00a0 2025\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ISMN:\u00a0 :\u00a0 979-0-9005345-8-3\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Valor: <a href=\"https:\/\/sired.udenar.edu.co\/17626\/1\/17626.pdf\">Descarga Gratuita<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0Autor; Rolando Chamorro Jim\u00e9nez El presente material did\u00e1ctico contiene nueve cantos ceremoniales utilizados en la misa cat\u00f3lica, dise\u00f1ados para la etapa inicial en la formaci\u00f3n instrumental de cuerdas sinf\u00f3nicas y canto. Para ello, se han empleado tonalidades como La menor, Sol mayor y Re mayor, que favorecen esta fase del aprendizaje. Por otra parte, se [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":9647,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"link","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[82,1],"tags":[],"class_list":["post-9645","post","type-post","status-publish","format-link","has-post-thumbnail","hentry","category-libros-dela-ano-2025","category-sin-categoria","post_format-post-format-link"],"_links":{"self":[{"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=\/wp\/v2\/posts\/9645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9645"}],"version-history":[{"count":14,"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=\/wp\/v2\/posts\/9645\/revisions"}],"predecessor-version":[{"id":9661,"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=\/wp\/v2\/posts\/9645\/revisions\/9661"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=\/wp\/v2\/media\/9647"}],"wp:attachment":[{"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/editorial.udenar.edu.co\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}